Academic Schedule Summer Session 1

The course investigates the history of the built environment as technical, social, and cultural expressions from antiquity to the contemporary age. It studies building materials and expressions in terms of their chronology, context and stylistic developments, as well as themes, theories, and innovative practices in architecture and urban design. Among other focus topics, students are encouraged to consider architecture as a cultural expression, study its semiotic potential, ascertain its role within political aesthetics, and investigate its relationship to best practices in sustainable building. The course also considers architecture’s impact on humankind, how it shapes both human habitat and the natural environment, and how it has the potential to change human minds. In the Interim Summer Session I, 2025 the course will take place directly on site in Munich, Regensburg, and Prague from May 19-30. The emphasis will be on “architecture and its semiotic potential,” investigating individual forms and types of architecture, as well as specific building elements, and in what sense they become “carriers of meaning.” Particular topics are architecture and war, architecture and Nazism and architecture and Socialism, film architecture, corporate images as proclaimed in buildings, urban planning within specific post-war contexts, and the pressing topic of constructing sustainable buildings to respond to the manifestations of climate change and growing urbanizations. Further discussion will include what makes a smart city and architecture in the context of contemporary technology, such as AI. Specific studio workshops in drawing, photography, and storyboarding will further the understanding of how to represent architecture. This course carries a supplemental fee: CHF 450 (for students invoiced in CHF) or USD 540 (for students invoiced in USD). “The course cost covers accommodations in Munich, Regensburg, and Prague; transportation between cities; as well as local public transportation, museum and exhibition entrances, and some extracurricular activities. Students are required to make their own travel arrangements to Munich (arrival 19 May) and from Prague (departure 30 May). Please consult Professor Fassl prior to making your arrangements and make sure to meet all registration and deposit deadlines.”

This course focuses on the theory and practice of place-based education, helping students build leadership skills that foster active civic engagement. Through this, students learn to become involved and committed members of their chosen communities, developing the skills needed to contribute meaningfully to community life throughout their lives. Building on Franklin University’s goal “to prepare students to thrive in a diverse and interconnected world, and encourage them to explore and celebrate all voices and perspectives,” the aim of this course is to enable students to find their “sense of place” in the community organization of their choice. Through first-hand, personal experiences, students will develop a better foundation to interact with broader topics as they become active engaged members of their community. Effective oral and written communication are a fundamental part of the class, as students gain practical skills and tools to engage with their local community, and build learner-centered, interdisciplinary experiences.

(This course must be taken in conjunction with VCA 205) This course critically examines the intersection of AI and cinema through a philosophical lens, exploring how various philosophical frameworks can be applied to analyze AI’s impact on film. Topics include the ethical implications of AI-generated content, the nature of creativity in the age of AI, and the philosophical challenges posed by deepfake technology. Through readings, film screenings, and discussions, students will explore questions around AI’s potential to redefine narrative, authorship, and viewer engagement. This course encourages critical analysis, contextualizing AI’s role in cinema’s evolution and probing its ethical and aesthetic dimensions. This course carries a supplemental fee: CHF 400 (for students invoiced in CHF) or USD 480 (for students invoiced in USD).

This course examines the intersection of language and culture: how language shapes our perception of the world and vice versa. Students will reflect on their own experiences with language and view that experience in light of readings that engage themes such as technology, gender, race/ethnicity, socioeconomic class, bi/multilingualism, dialect, and political power. Readings will include essays from major publications, ethnographic studies, memoirs, and literary texts.

This 2 week intensive course examines how people, particularly young people, consume media technologies and their contents in contemporary media-saturated life. Employing essential readings on media consumption, fashion, and identity as the theoretical backbone, students will engage in active site-based research project throughout the course. By offering an opportunity to undertake a field study in Milan, the course seeks to develop in-depth theoretical knowledge of the intersections of media consumption, fashion, and identity, as well as to cultivate critical reflection of students’ own consumption of media technologies. This course carries an additional fee for transportation and related activities in Milan: CHF 250 / USD 300.

This is an entry-level course in economics, covering fundamentals of microeconomics and aimed at students who choose it as an elective or plan to continue their studies in economics. This course helps students develop basic analytical skills in economics and microeconomics. It provides students with a basic understanding of the market system in advanced capitalist economies. It examines the logic of constrained choice with a focus on the economic behavior of individuals and organizations. After a theoretical analysis of the determinants and the interaction of supply and demand under competitive conditions, alternative market structures will be investigated, including monopolistic and oligopolistic forms. The course examines the conditions under which markets allocate resources efficiently and identifies causes of market failure and the appropriate government response. The introduction to the role of government includes its taxing and expenditure activities as well as regulatory policies.

This course will survey the history of Italy from the end of the Roman Empire to the dawn of the Renaissance. Topics covered in this nearly 1000-year stretch of time include, but are not limited to, the Germanic invasions of the fifth century, the rise of the papacy and the papal states, the Arab and Byzantine conquests of Sicily and southern Italy, civic government in the medieval city-states, political thought in the age of Dante, Humanism, and the early Renaissance fascination with Roman antiquity. This class takes advantage of FUS’s unique position on the doorstep of Italy and will include several guided visits to medieval churches, castles, towns, and abbeys in Ticino and the northern region of Italy. All reading are in English, a combination of medieval sources in translation and recent scholarship. (This course carries an additional fee: CHF 165 / USD 200).

This 2 week intensive course is designed for students with no prior knowledge of Italian. ITA 100 employs immersive experiential learning pedagogy, providing an introduction to the essentials of Italian grammar, vocabulary, and culture. The acquisition of aural/oral communication skills will be stressed and, as such, the predominant language of instruction will be Italian. By the end of the course students will achieve proficiency at the A1 level of the Common European Framework of Reference for Languages. Students are expected to acquire the basic knowledge of the written and spoken structures. Students are expected to read and comprehend short passages in Italian and to draft simple compositions / dialogues. Project-based assignments will be designed to foster practical communication skills and encourage efforts towards increased student integration in the local Italian-speaking community. Whenever possible, students will be encouraged to participate actively in local initiatives, festivals, events and to apply the skills they are mastering in class to their co-curricular learning on and off campus

This course explores the direct relationship between significant historical events and their effects on musical creation. The analysis of specific works will offer the opportunity to understand the direct impact politics has on art. Important events throughout the 19th and the 20th century will be presented through the impact they had in music history. A special section is dedicated to censorship and discrimination focusing on music written and performed under totalitarian rule. From the Entartete Musik (degenerate music), discriminated against by the Nazis, to John Adams’ opera Nixon in China, which marked the end of Mao’s Cultural Revolution, the course investigates the way in which music was able to follow its own creative path. This course carries a supplemental fee: CHF 50 (for students invoiced in CHF) or USD 60 (for students invoiced in USD).

This course provides the basic analytic tools necessary for the understanding of international relations. After a brief introduction to the realist and liberal approaches to the study of international relations, the course covers various fundamental concepts, such as national power, foreign policy, conflict, political economy, international trade, and international organizations.

This course examines the political processes that shape conflict and consensus in Middle Eastern societies. From this perspective, main regional conflicts are analyzed. The confrontation between (1)Iran and the Arab World and (2)Israel and the region at large are surveyed in light of intra-Arab antagonisms and the historical great power rivalry for hegemony in the area. Special focus is directed toward an understanding of the politics of modernization and the clash between tradition and modernity. Recommended POL 100.

(This course must be taken in conjunction with CLCS 207) This course focuses on the practical application of AI tools in filmmaking, offering students hands-on experience with AI-driven storytelling, scripting, and cinematic composition. By combining traditional film techniques with advanced AI tools, students will learn to conceptualize, produce, and edit short films, gaining skills in story structure, character development, and AI-enhanced visual composition. Through workshops and project work, the course examines AI's role in current film practices, with an emphasis on ethical considerations and creative possibilities. The course culminates in a short film project that integrates AI tools from pre-production to post-production stages. This course carries a supplemental fee: CHF 400 (for students invoiced in CHF) or USD 480 (for students invoiced in USD).